If print increasingly becomes a valuable or collectable object, and digital publishing indeed continues to grow as expected, the two will nevertheless cross paths frequently, potentially generating new hybrid forms.
It may be worth envisioning a kind of ‘print sampling’, comparable to sampling in music and video, where customised content (either anthologies or new works) can be created from past works. Such a ‘remix’ publishing strategy could create new cultural opportunities, and open up new ‘processual’ publishing practices.
